Researching Publics and Public Research

Image overlooking the Adams Morgan Neighborhood in Washington, DC on the Fourth of July, before the fireworks on Capitol Hill (Photo courtesy of Ishaan Barrett)

Imagine for a minute all the spaces that define your life at Columbia: the classrooms where seminars unfold, the lecture halls alive with presentations, the labs buzzing with quiet concentration, and libraries where the daytime hours bleed into the night. Over time, these places stitch themselves together into a web, one familiar and enriched by the places we revisit, but also oddly enclosing. For all its intricacy and complexity, the web of places we might spend our time as students is bounded. Sure, you might venture off campus during the day or throughout the weekend, but when we scrutinize where we spend the academic hours of our days, few extend beyond Morningside or even Columbia’s campus. Intentionally or not, campus builds a physical and invisible boundary that subtly separates how we spend our time and the worlds we come to know. The same can be said for research and the questions, inspired by coursework and mentorship, that we undertake as students. Research conducted within our web of campus spaces is often confined there, but this need not always be the case. 

As you consider beginning or continuing campus research—either in a lab or independently through a fellowship—the question of public research (and even researching public issues) should come to bear. 

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The Art of the Missing: An Interdisciplinary Retreat

Coverlet from the American Folk Art Museum. credit: Julia Sherman, item located in American Folk Art Museum collections.

Coverlet from the American Folk Art Museum. credit: Julia Sherman, item located in American Folk Art Museum collections.

Last spring, I was scrambling a bit for a summer internship, as many fellow second-semester juniors find themselves. While I was already planning to work at a law firm in New York City, it was only a part-time commitment. Not only did I need to fill the rest of my time, but I needed to find the rest of my rent. After many applications and interviews, I accepted a role at the American Folk Art Museum (AFAM) as a curatorial intern.

I was initially drawn to AFAM because of the artistic connection I learned about in my American Culture Criticism seminar with Professor Blake. As a history major with a specialization in American Intellectual History, I eventually realized art was a pretty critical part of the traditions I was studying. After reading books on Andy Warhol, Clement Greenberg, and John Cage, I thought I would find at least some tenable connection to my studies at AFAM.

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The Kantian Challenge and How to Overcome It

Frankfurt’s Bankenviertel district, seen from the Bockenheimer Anlage (credit: Joseph Karaganis)

Like most other Columbia undergraduates, I was first introduced to the work of Immanuel Kant halfway through my sophomore year. Kant’s slim-but-dense ethical treatise, the Groundwork of the Metaphysics of Morals, is the second text that students read in Contemporary Civilization’s second half.

At the time, I had just finished a year and a half of philosophy courses, and after much deliberation had decided to declare a philosophy major. My previous coursework in Greek and Roman ethics and metaphysics had served me well during the first semester of CC, and I was expecting that the course would go as smoothly in the spring. But I was less prepared than I thought. Despite being only 70 pages long, the Groundwork is brilliant, bewildering, and infuriating all at once. It encapsulates the stunning depth of thought and impassable esotericism that, for better or worse, characterizes much of the best of German philosophy. By the end of the book’s first section, I was uneasy. By the end of the second, I was quietly panicking, and had started to nervously goggle technical terms that I was unfamiliar with. By the end of the third and final section, I had to admit to myself that I was completely lost.

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An Undergraduate Research Project, from Idea to Publication

Oscar Wilde and Lord Alfred Douglas, British National Portrait Gallery

When I first learned about the Humanities Research Scholars Program during winter break of my sophomore year, I felt both daunted and excited. I had never done any kind of research before, and I had no idea of what topic I would want to spend a summer studying. But at the same time, the prospect of spending six weeks immersing myself in a particular subject—reading and thinking about it, discussing it with peers, maybe even writing about it—was enormously exciting.

I spent a lot of time over the break thinking about what I might want to research. It was hard, because a lot of my favorite books were translated, and I didn’t think I could properly study them without knowing their original language. Eventually I thought about Oscar Wilde—I had gone through a phase at the end of high school where I read a bunch of his books and a biography of him. But what could I possibly say about Wilde that hadn’t been said already?

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Learning to Read the Core

My freshman-year copy of The Iliad, complete with my overzealous annotations (credit: Sarah Bryden)

As the fall semester approaches, first-years across campus are engaged– excitedly, nervously, or maybe even frantically– in the hallowed Columbia tradition of reading the first six books of The Iliad. SparkNotes has been consulted, copious amounts of highlighter have been applied, and complaints have been fired off between new friends. Anticipation is high, but so are nerves– a canon experience, if you will.

If your experience with this reading assignment has been anything like mine, you may be worrying this very minute about how little sense The Iliad makes, and how despite your diligent annotations you failed to realize that Chryses and Chryseis are two different people. You may be wondering how you will ever have the time, patience, and stamina to endure two full semesters of readings like this; you may even be despairing of the value of the Core, and wondering how you can outsource future readings. The message of this blog post is: don’t panic! You will survive the Core reading lists, and it will be worth it. 

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Just Inquiry: Columbia’s Core, Columbia’s Gates

Afternoon photo of campus gates in front of Earl Hall with security checkpoint to scan IDs (photo credit: Ishaan Barrett)

When I first arrived at Columbia, I did not pay much attention to the gates. They were just there. They stood as symbols of arrival, departure, tradition, and maybe even security. But over time, I started to see them completely differently. They became quiet boundary lines separating two contrasting worlds: those who are included and those left out. The question about these gates as symbols of access arose during a class called “Justice Now,” taught by Professor Larry Jackson. The purpose of the class was to develop critical theories and conceptions of justice rooted in the breadth, depth, and interdisciplinary undertaking of the Core Curriculum. In other words, by expanding on the authors and texts presented in Literature Humanities and Contemporary Civilizations, how can we theorize justice from a variety of vantage points with various communities and social issues in mind? Between that class and my other courses in the Core, we read Plato’s ideas on the just city. We read Locke’s theories on property. We balanced conflicting viewpoints and contemporary ideas across multiple hours of deep discussion. But we never read—or even interpreted—the gates standing just beyond the classroom. After a while, I thought that maybe we should.

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Literary Configuration of Islands and Their Associates in Early Modern East Asian-Mediterranean Contexts: A Historical Comparison, or a Speculative Diptych?

Reading Imperial Cartography: Ming-Qing Historical Maps in the Library of Congress, courtesy of C. V. Starr East Asian Library, Columbia University

“Map of Sea Lanes of the Eastern and Southern Seas,” Dongyang nanyang haidao tu, courtesy of the First Historical Archives of China, Beijing

This summer, my research project centers on islands as crucial protagonists in investigating the literary representation of “foreignness” in early modern East Asian and Mediterranean contexts. I derived my fascination with the topic of “islands” as alternative spaces where civilizations negotiate their boundaries from my long-term academic interest at the intersection of textual and visual media, regional studies and comparative literature, and the broader historical issues of “the early modern period.” While double-majoring in East Asian Studies and Comparative Literature, I benefited from taking a rich spectrum of courses that provided me a solid knowledge foundation to “think textualities with islands” (my foremost conceptual emphasis in the project), grounded in bibliographic and archival tracings in each tradition in tandem with shifting theoretical visions on what constitutes the maritime. Drawing on sources from different “genres” of texts, including vernacular novels, official histories, diplomatic writings, as well as visual representations, I invite the complex question of “the ethics of comparison” into the conceptualization of “islands” at the crossroads of languages, empires, and the heterogeneous group of historical agents.

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My Rollercoaster of Research

Photo Credit: Amanda Elvarsdóttir

This summer I got to see what conducting research is really like, and it wasn’t like in the movies – it was even better. Unlike the movies, there were no bubbling beakers, or lab coats, all I had was a monitor, a mouse and a desk. At first this may sound unimpressive, but I beg to differ when I know all about the ride I took with these tools while at my lab. 

Now I’ve never conducted research before. Didn’t know a single thing about how it worked, or what I should research when I arrived at my lab. This was the first dip of my rollercoaster, and dang was my stomach flipping from anxiety because of it. However, as a recipient of a National Science Foundation Research Experience for Undergraduates (NSF REU), I had the amazing honor of being partnered with a professor who mentored me and walked me through how it works to conduct research. I was even luckier to be partnered with a graduate student who really took me under her wings and supported me while we worked on our project together. This was the first up of the rollercoaster. 

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The Two Languages of the Mind: Where Precision Becomes Its Own Poetry

Kumayl Alloo CC’25. Photo credit: Kumayl Alloo.

There is a silence that lives in the brain. It lingers long before disease makes itself visible—before tremors betray the hand, before movement slows into stiffness. In Parkinson’s disease, that silence is often filled with shadows of a different kind: anxiety, depression, the quiet erosion of motivation. These nonmotor symptoms can appear years, even decades, before a diagnosis.

Most of what the world knows about Parkinson’s revolves around its motor features. The shuffling gait, the trembling fingers—these are the images we carry. But beneath them is a deeper story: that the mind changes long before the body falters, and that those early changes are neither well understood nor well treated.

My research lives in this hidden chapter.

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Senior Spring Reflections: The Early Days

Alan and Janus were neighbors on John Jay floor 10 for the 2021-22 academic year. This was their view when they first came to Columbia! Photo Credit: Alan Chen.

As the Class of 2025 prepares to take on its last semester of college this spring, Rose Research Fellows Alan Chen and Janus Yuen (CC‘25) discuss how they first found their way to their programs of study and areas of focus. This is part of an ongoing series between Alan and Janus on how Columbia has uniquely shaped their journeys over the past four years.

Tell us about yourselves.

Alan Chen (AC): I’m currently a senior in Columbia College studying history and philosophy. In the history department, I focus on modern France and on the history of the family. In the philosophy department, I largely study political philosophy and ethics. 

Janus Yuen (JY): I’m a senior in Columbia College, also majoring in history. I am specializing in 19th century U.S. History out of convenience, since we have so many amazing classes in that area in our department. But the heart of my intellectual interests is in early American history within the intellectual, religious, and economic context of the early modern Atlantic world. 

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