Bibliography: Written Sources

Certeau, Michel De., and Steven Rendall. The Practice of Everyday Life. Berkeley: U of California, 1984. Print.

Foucault, Michel, Mauro Bertani, Alessandro Fontana, François Ewald, and David Macey. Society Must Be Defended: Lectures at the Collège De France, 1975-76. New York: Picador, 2003. Print.

Holston, James. The Modernist City: An Anthropological Critique of Brasília. Chicago: U of Chicago, 1989. Print.

Lewisohn, Cedar. Street Art: The Graffiti Revolution. London: Tate Publishing, 2008. Print

Marcuse, Peter. Robert Moses and Public Housing: Contradiction In, Contradiction Out.New York, Columbia University Press. 1989

Rodrigues, Laurie A. ““SAMO© as an Escape Clause”: Jean-Michel Basquiat’s Engagement with a Commodified American Africanism.” Journal of American Studies 45.02 (2011): 227-43. Print

Saggese, Jordana Moore. Reading Basquiat: Exploring Ambivalence in American Art. Berkeley: U of California, 2014. Print.

Schartz, Joel. ” The New York Approach”. Columbus: Ohio State Press. 1993

Bibiliography: Visual Sources

Pages

1.)Homepage

a.)Background:Basquiat, Jean-Michel. Fallen Angel. Digital image.Http://modernart2011.blogspot.co.uk/. Blogger, 24 Apr. 2011. Web. 21 Dec. 2014.

b.) Header Image: Cooper, Martha. Blade. Digital image.Navigatingcartographies.wordpress.com. Word Press, May 2013. Web. 21 Dec. 2014.

2.) Beginnings:

i.) Le Corbusier page

a.) Background: Ibid.

b.) Header Image: Day, Meagan. Towers in a Park. Digital image. Http://discardstudies.com/. Goldsmiths, University of London/ Word Press, 30 Sept. 2013. Web. 21 Dec. 2014.

c.) Image One: Le Corbusier with Model. Digital image. 2ndblackwatch1881.wordpress.com. LIFE Magazine / Word Press, 25 Apr. 2009. Web. 21 Dec. 2014.

ii.) Robert Moses Page

a.) Background: Ibid.

b.) Header Image: Affron, Inga. Robert Moses. Digital image. Newrepublic.com. New York Times/ New Republic Magazine, 11 July 2013. Web. 21 Dec. 2014. .

c.)Image One:Stieglitz, C. M. Robert Moses and The Battery Bridge. Digital image.Wikipedia.org. Library of Congress. New York World-Telegram & Sun Collection., 10 Dec. 2014. Web. 21 Dec. 2014. .

iii.) Urban Renewal and Public Space Page

a.) Background: Ibid.

b.) Headier Image: Madamechaotica. Robert F. Wagner Houses. Digital image. Wikipedia.org. Madamechaotica (wikipedia User), 30 Jan. 2009. Web. 21 Dec. 2014.

c.) Image One: New York Housing Authority. Jacob Riis Projects. Digital image.//www.flickr.com/photos/laguardiaandwagnerarchives. New York City Housing Authority (NYCHA) Photo Collection, La Guardia and Wagner Archives/CUNY, 6 Nov. 2009. Web. 21 Dec. 2014.

3.) Moment of Departure

i.) The Emergence of Modern Graffiti Page

a.) Background Image: Ibid.

b.) Header Image: Mc Cafferty, Hugo. Pompei Graffiti. Digital image. www.swide.com. Swide, 20 Feb. 2014. Web. 21 Dec. 2014.

ii.) Graffiti and New York Page

a.)Background Image: Ibid.

b.) Header Image: Isles, Matt. Graffiti’d Rooftop. Digital image. Http://www.graffiti.org/. Art Crimes: New York 102, 2008. Web. 21 Dec. 2014.

c.) Image One: RIME. Wild Style. Digital image. Wikipedia.org. Art Crimes: New York 102, 21 Oct. 2009. Web. 21 Dec. 2014.

d.) Image Two: Slotkin, Tereas. Times Square Show 1980. Digital image.Http://www.artandeducation.net/. Courtesy of the Artist. © Terise Slotkin Photography., Sept. 2012. Web. 21 Dec. 2014. .

iii.) Graffiti and Politics Page

a.)Background Image: Ibid.

b.) Header Image: Cooper, Marha, and Henry Chalfant. Subway Art Series. Digital image.Http://www.urbanartcore.eu/. Cooper, Martha.Subway Art. Thames and Hudson Ltd. 1984, 2013. Web. 21 Dec. 2014.

4.) Moment of Maneuver

i.) Basquiat’s Life Page

a.) Background Image: Ibid.

b.) Header Image: Cooper, Martha. Blade. Digital image.Navigatingcartographies.wordpress.com. Word Press, May 2013. Web. 21 Dec. 2014.

c.) Image One: Young Basquiat. Digital image.Http://www.angelfire.com/art/Artists/radientchild.htm. Angel Child, n.d. Web. 21 Dec. 2014.

d.) Image Two: End to 9 to 5 SAMO. Digital image. Pixgood.com. Good Pix Galleries, n.d. Web. 21 Dec. 2014.

ii.) Basquiat, Commerce and the Gallery Page

a.) Background Image: Ibid.

b.) Header Image: Ibid.

c.) Image One: Unattributed. Basquiat at Work. Digital image. Http://art-on-google.com/group/arte-contemporanea-conceitual-grafite-digital-foto. Art On Google, 4 June 2012. Web. 21 Dec. 2014. .

5.) Moment of Arrival

a.) Background Image: Ibid.

b.) Header Image: Ibid.

c.) Image One: Basquiat, Jean-Michel. Hollywood Africans (1983). Digital image.Http://whitney.org/. Estate of Jean-Michel Basquiat., n.d. Web. 21 Dec. 2014.

d.) Image Two:Basquiat, Jean-Michel. Untitled (History of the Black People)” 1983. Digital image. Foreverblackeffusion.wordpress.com. Estate of Jean-Michel Basquiat., 3 Aug. 2013. Web. 21 Dec. 2014.