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Date/Time
Date(s) - 26 Mar 2012
5:00 PM - 7:00 PM

Location
University of Pennsylvania McNeil Center for Early American Studies

Category(ies) No Categories


2012 Mellon Distinguished Lecture Series
Sponsored by the School of Arts and Sciences, University of Pennsylvania and the University of Pennsylvania Press

LECTURE ONE: “Frejus: The Borders of Nature”
Monday, March 26, 5:00 PM
McNeil Center for Early American Studies
3355 Woodland Walk

Fréjus is a small town in the south of France, approximately halfway  between the coastal towns of Cannes and St. Tropez.  This Mediterranean  outpost is familiar to historians of antiquity and the expansion of  Christianity during the waning centuries of the Roman Empire.  Its  notable Roman remains include a fifth-century baptistery. The cloister   has become famous for a series of approximately 200 paintings on wooden panels on its ceiling. Probably commissioned by the bishop and executed  between 1353 and 1368, these images depict creatures of the natural  world as well as demons and monsters. No obvious logic rules the mix and  sequence of images in the cloister. Bearers of local history insist that  the bishop and his canons required congregants to pass through the  cloister in order to enter the church for Sunday mass, for baptisms and  funerals, and all other rituals conducted in the sacred space.  Churchgoers stared upward at creatures both mundane and spectacular,  while men, beasts, and hybrids gazed back at them. In this lecture I  present images from the cloister of Fréjus in a discussion of the  natural world bordering the Atlantic at the dawn of European expansion.

Series information:

Nature and Culture in the Early Modern World
Peter C. Mancall
Andrew W. Mellon Professor of the Humanities
University of Southern California

This series of three lectures will explore aspects of the relationship  between people and nature in the Atlantic World in the sixteenth
century. Each of the lectures will begin with paintings: a series of  images in a fourteenth-century cloister in the south of France; a  hand-painted atlas, now housed at the Huntington Library, created in  Dieppe in 1547; and a 1585 water color of a Carolina Algonquian town by  the English artist John White, now in the collection of the British  Museum.

See here for lecture 2 and here for lecture 3.