Date/Time
Date(s) - 8 Apr 2016
9:00 AM - 4:30 PM
Location
Bettman Lecture Hall, 612 Schermerhorn, Columbia University
Category(ies) No Categories
Reception as Creation, Interpretation, Transformation
Columbia University
Friday, April 8, 2016
Department of Art History and Archaeology
612 Schermerhorn Hall
The first two sessions are composed entirely of global medieval & Renaissance topics.
SESSION 1
9:00-10:30
Lindsay Cook
Citations of Notre-Dame of Paris in the “magnificent debris” of Saint-Mathurin of Larchant
Taylor McCall
Invention and Replication: Artistic Agency in Medieval Anatomical Diagrams
Angelica Federici
Nigra Sum, The Curious Incident Of Black Virgins In Medieval Europe
10:30-10:45 Coffee Break
SESSION 2
10:45-12:00
Amy Chang
The Unknown and the Illegible: Apotropaic Readings of Pseudo-Arabic in 14th-c. Mudéjar Ceramics
David Zagoury
Expanding the Beholder’s Share: Creative Reception in Cinquecento Art Theory
Hwanhee Suh
Imperial Favor and Pictorial Fame: The Wanluan Thatched Hall by Dong Qichang and its Place in Chinese Painting
12:00-1:30 Lunch Break
SESSION 3
1:30-2:45
Margot Bernstein
Pierre-Antoine Baudouin: Moving the Jury through Motif and Materiality
Julien Domercq
Collecting the Pacific: Contrasting Early Receptions of Polynesian Art in Britain from Joseph Banks’s Collection and the Holophusicon to the London Missionary Society Museum, circa 1770-1830
Tom Young
‘A picture of unity and friendship with the pen of charm’: Portraiture and Anglo-Sikh Diplomacy 1799-1839
2:45-3:00 Coffee Break
SESSION 4
3:00-4:30
Neylan Bağcıoğlu
Representing the Struggle in Women and Work: A Document on the Division of Labour in Industry 1973-75
Matthew Teti
King of the Avant-Garde: Chris Burden Responds to His Critics
Nina Horisaki-Christens
Yamaguchi Katsuhiro’s Contingent Art: Video and Futeikei bijutsu