< The Crucifixion with Saints and a Donor>

The Crucifixion with Saints and a Donor, ca. 1520. Joos van Cleve (Netherlandish, ca. 1485–1540/41) and a collaborator. Oil on wood. Bequest of George Blumenthal, 1941. The Metropolitan Museum of Art.

< The Isenheim Altarpiece – First View>

Grünewald, Saint Sebastian, The Crucifixion, Saint Anthony, Lamentation over the Body of Christ. Mixed media (oil and tempera) on limewood panels. At display at The Museum of Unterlinden, Germany.

Photography: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

< The Baptism of Christ, St. John Altarpiece>

1500-1502. Giovanni Bellini (High Renaissance). Oil on canvas. At display at Santa Corona, Vicenza, Italy.

Books:

Hamburger, Jeffrey. “”Joint Heirs with Christ”: The Two St. Johns.” St. John the Divine : The Deified Evangelist in Medieval Art and Theology. Berkeley: U of California, 2002. Print.

Web resources

“The Isenheim Altarpiece.” Musée Unterlinden. Web. 9 Dec. 2014. <http://www.musee-unterlinden.com/isenheim-altarpiece.html>.

“Joos Van Cleve | The Crucifixion with Saints and a Donor | The Metropolitan Museum of Art.” Joos Van Cleve | The Crucifixion with Saints and a Donor | The Metropolitan Museum of Art. Web. 9 Dec. 2014. <http://www.metmuseum.org/collection/the-collection-online/search/436792>.

Allen, Joanne. “Giovanni Bellini’s Baptism of Christ in Its Visual and Devotional Context: Transforming Sacred Space in Santa Corona in Vicenza.” Journal of the Society of Renaissance Studies 27.5 (2013): 696-98. John Wiley & Sons Ltd. Web. 9 Dec. 2014. <http://onlinelibrary.wiley.com.ezproxy.cul.columbia.edu/doi/10.1111/j.1477-4658.2012.00847.x/pdf>