Aliza Nisenbaum (b. 1977 Mexico City, Mexico) is a New York based artist. She is an assistant professor at Columbia University School of the Arts and has exhibited both in the United States and internationally. Recent exhibitions include Mary Mary, Glasgow, UK; White Columns, New York, NY; and Lulu, Mexico City, Mexico. Her work was also included in the Biennial of the Americas, Museum of Contemporary Art, Denver, CO; the Rufino Tamayo Painting Biennial, Museo Rufino Tamayo, Mexico City, Mexico; Fondazione Querini Stampalia, Venice, Italy; The Renaissance Society, Chicago, IL; and the Poor Farm, Manawa, WI. Her works will be included in the upcoming 2017 Whitney Biennial curated by Christopher Y. Lew and Mia Locks.
Monthly Archives: January 2017
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Chrissie Iles is the Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art. Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Marina Abramovic, Louise Bourgeois, Dan Graham, Donald Judd, Sol LeWitt and Yoko Ono. She also curated several group exhibitions including “Into the Light: The Projected Image in American Art 1964-1977″; “Scream and Scream Again: Film in Art”; and “Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s.” Chrissie’s most recent curatorial projects Dreamlands: Immersive Cinema and Art, 1905–2016, is currently on view at the Whitney. Dreamlands focuses on the ways in which artists have dismantled and reassembled the conventions of cinema—screen, projection, darkness—to create new experiences of the moving image.
Dora Budor, born in 1984, is an artist originally from Croatia who currently lives & works in New York. Budor’s work “focuses on Hollywood production methods and special effects” and “considers the representation of emotional and physical experience within the ideological subtexts of mainstream cinema” (Swiss Institute, 2015). She has participated in several solo exhibitions, including a self-titled show at Ramiken Crucible (2016);Spring at the Swiss Institute (2015); and Action Paintings at 247365 (2014). Her work is included in the Dreamlands: Immersive Cinema and Art, 1905–2016 exhibition at the Whitney, curated by Chrissie Isles.