Monthly Archives: October 2013

4 posts

October 29, 2013, 8pm: Elizabeth Peyton

elizabeth-paytonBio: Elizabeth Peyton (born 1965) is an American painter who rose to popularity in the mid 1990s. She is a contemporary artist best known for stylized and idealized portraits of her close friends, pop celebrities, and European monarchy.

In the mid-80s, she studied fine arts at the School of Visual Arts in New York City. Her first successful exhibition in New York City was held in a room of the Chelsea hotel (mainly drawings). People who wished to see the exhibition would just go to the reception of the hotel and ask for the room key. She went on to exhibit regularly at the Gavin Brown Gallery and started receiving very positive reviews from the New York Times and The Village Voice. Her career was launched, a fact later endorsed by the art market where the price of her works has steadily soared (an oil on canvas representing John Lennon was sold for a record $800 000 in 2006). Works by Elizabeth Peyton are now in the collections of the Museum of Modern Art in New York and the Centre Pompidou in Paris.

Her work is characterized by elongated, slender figures with androgynous features which at times resemble fashion illustration. The artist, interviewed in the catalogue for the exhibition “The Painter of Modern Life” at the Hayward gallery in London in 2007, has indeed acknowledged the importance of photography as an inspiration source to her art. Her work is most often executed in oil paint, applied with washy glazes that are sometimes allowed or encouraged to drip. Several other works in color pencil have also found notoriety and recent work has included etchings. The idealization and stylization of known celebrities has led some critics to characterize her work as derivative of or in the tradition of Andy Warhol with a Romantic overtone. The artist has cited influence by David Hockney.

Her celebrity subjects have included Noel and Liam Gallagher of the rock band Oasis (band),Julian Casablancas of The Strokes, Jarvis Cocker of Pulp, Chloë Sevigny, Princes William and Harry of The House of Windsor, Abraham Lincoln, Graham Coxon, Keith Richards, John Lennon, Kurt Cobain, eminem, Ludwig II of Bavaria, and members of The Kennedy Family.

New York Times Arts

Elizabeth-Peyton-Self-Portrait-2009-Via-Gladstone

Self-Portrait, 2009Elizabeth-Peyton-Brandon-Flowers-2009-Via-GladstoneBrandon Flowers, 2009

Gavin Brown Gallery

Interview Magazine

[youtube]http://www.youtube.com/watch?v=eD5ib1W8HqQ[/youtube]

October 22, 2013, 8pm: Jon Rafman

jonrafman2

Jon’s website -comprehensive website detailing work, writings, gallery representation,  tmblr insta / fb / twitt

Biography:

Jon Rafman is a Montreal based media artist, filmmaker, and essayist. His work explores the tension between experiences of the modern world, and the search for connectedness and significance in an indifferent universe. Through an anthropological vantage, Rafman’s practice elaborates the role of the image in shaping reality and the presence of internet technologies in redefining our relationship to landscape, and place.

Sixteen Google Street Views 21paintfx_installPaint FX (R.I.P.), 2009

 

October 15, 2013, 8 pm: Mary Heilmann

maryheilmann

Biography from Art21:

Mary Heilmann was born in 1940 in San Francisco, California. She earned a BA from the University of California, Santa Barbara (1962), and an MA from the University of California, Berkeley (1967). For every piece of Heilmann’s work—abstract paintings, ceramics, and furniture—there is a backstory. Imbued with recollections, stories spun from her imagination, and references to music, aesthetic influences, and dreams, her paintings are like meditations or icons. Her expert and sometimes surprising treatment of paint—alternately diaphanous and goopy—complements a keen sense of color that glories in the hues and light that emanate from her laptop, and finds inspiration in the saturated colors of TV cartoons such as “The Simpsons.” Her compositions are often hybrid spatial environments that juxtapose two- and three-dimensional renderings in a single frame, join several canvases into new works, or create diptychs of paintings and photographs in the form of prints, slideshows, and videos. Heilmann sometimes installs her paintings alongside chairs and benches that she builds by hand—an open invitation for viewers to socialize and contemplate her work communally. Mary Heilmann has received the Anonymous Was a Woman Foundation Award (2006) and grants from the National Endowment for the Arts and the Guggenheim Foundation. She has had major exhibitions at Parrish Art Museum, Southampton, New York (2009); New Museum of Contemporary Art, New York (2008); Wexner Center for the Arts, Columbus, Ohio (2008); and Orange County Museum of Art, Newport Beach, California (2007), among others. Her work has appeared in three Whitney Biennial exhibitions (1972, 1989, 2008) and is in many collections, including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; and Orange County Museum of Art. Mary Heilmann lives and works in New York.

MH-250Space Cup, 1984

Glazed ceramic

17″ x 21″

heilm15970Neo Noir, 1998

oil on canvas

75″ x 60″

heilm39062

Ghost Pallet, 2008

oil on canvas

40″ x 30″

MH-300Pink Trance, 2010

Oil on wood and canvas

19 1/2″ x 16 1/4″

Mary’s on printmaking and how she likes to work:

[youtube]http://www.youtube.com/watch?v=bm5UJZ6jOhE[/youtube]

hell_yes

New Museum Digital Archive: “Mary Heilmann: To Be Someone”

Art21

Hyperallergic interview

BOMBSITE interview

October 8, 2013, 8:30 pm: Barnaby Furnas

barnabyfurnasBarnaby Furnas (b.’73) grew up a teenage graffiti artist at a Quaker-based commune in Philadelphia. After graduate school, he burst onto the art scene with paintings depicting American Civil War battles infused with a cartoon sensibility: riots of motion and pigment evoke violent blood splatters, dismemberments, and attention-grabbing “retinal sizzle.” Furnas deftly merges his conflation of fantasy and history with his formalist concerns of material realism and a guerilla misuse of watercolor. From portraits of well-to-do nicotine addicts to epic-sized landscapes of floods of blood to the escalating energy of rock concerts, Furnas conjures states of ecstasy as both joy and agony.  Barnaby has an BFA from the School of Visual Arts (’95) and an MFA from Columbia University (’00)

[youtube]http://www.youtube.com/watch?v=MDYspQej9g0[/youtube]

Barnaby Furnas speaks about the end of everything, blood, and beauty

BF_51883The Singer, 2011

Water dispersed pigments, colored pencil, seral transfer and acrylic on linen

43 7/8″ x 36 7/8″

11f87d7dHeart Fucker (Effigy X-XIII), 2006

Dye, bleach, spit, ink, graphite, photocopy on soiled, punctured, crumpled burnt and folded paper

8 1/2″ x 11 1/4″

6b968cbfUntitled (battlescene), 2004

Mixed media on linen

110″ x 156″

[youtube]http://www.youtube.com/watch?v=YGlYGURtAnw[/youtube]

Barnaby Furnas pouring, misting, and sweeping paint

Get to know more about Barnaby