A Review of The Act of Killing (2012): Trauma, Memory, and the Power of Filmmaking

A Review of The Act of Killing (2012): Trauma, Memory, and the Power of Filmmaking

By Daniel Golebiewski, graduate student of human rights at Columbia University ___________________________________________________________________________ On March 8, 2014, Columbia’s School of the Arts, in collaboration with the Institute for the Study of Human Rights (ISHR), screened Joshua Oppenheimer’s 2012 documentary, The Act of Killing. This film was shortlisted for a 2014 Academy Award nomination for Best Documentary. On this evening, the audience had the chance to see the Director’s Cut and ask Oppenheimer questions regarding trauma, memory, and the power of filmmaking. In 1965, Anwar Congo and Adi Zulkadry—Indonesian “gangsters” deriving their label from the English “free men” meaning to live on without punishment from the criminal justice system—accepted their role as leaders of the most well known killing squad in North Sumatra. In The Act of Killing, Oppenheimer invites these two gangsters and their comrades to reenact their assassinations of Chinese communists. They seem eager to create a film that uses humor and romance, as well as inspiration from their favorite movie genres like...
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